Clare M

Thursday, 18 November 2010

Wednesday, 17 November 2010

At the Walid Raad exhibition at Whitechapel there were a series of blue monochrone photographs that were found in rubble in Lebanon. Alongside was an explanation saying that when they sent to the laboratory for testing, it was discovered that they were actually pictures of men and women who had died.

"A series of monochrome blue photographs, the negatives for which were found under the rubble of war-ravaged Beirut, hide the images of anonymous men and women found dead in the Mediterranean." from the Whitechapel website

I was inspired by the use of the scale in these photos, the blue photos were massive and the photos of the men and women underneath were about 100 times smaller. I've done the same thing here with my photos of the dust from the Gorbals demolition, and with a smaller photo of the demolition site. On second thought I should've used a photo of the two towers at Norfolk Court before one was demolished. I think the scale and clinical style creates a cynical and complex relationship between the two photos in each image.

Monday, 15 November 2010

cast-offs

Here are images made from the non-space cut out above the dust in the photographs I took of the floor within the installation with the table and wallpaper. Due to the bad printing quality, the photos came out very blue, but when I cut off the top of the photos, the blues created a new, calmer aesthetic, but fro the same photo. I would like to investigate these more, maybe using inks and collage.

Wednesday, 10 November 2010

scenes from untitled

untitled

Friday, 22 October 2010

Cedric Price Public Art Project

As part of a cross-school collaborative project, this piece of public art/performance is one of the most important pieces of work I've been a part of in my time at art school. It engages socially, appreciates different parts of the city, and shows that small and inexpensive acts can improve an area, if only for a week in the school holidays.

Brief: actively and critically engage with the city and its’ population using methods you devise. Question access and ownership, rights and responsibilities. Identify a public space and develop an intervention to activate it.

Site where high rise flats at Norfolk Court were recently demolished.

We noticed the paradox between the three stages of building present; the standing high rise flats, the pile of rubble left by the demolition and the vacant area where two high rises once stood. The dust left by the demolition covered the area in a grey smog, negatively affecting the community. We decided to focus on the effects of the dust which was such a prominent issue at the time.

We wanted to create something with the people in the community, rather than impose our ideas on them.

Main Goals:

Focus on impact of Dust
Focus on change, evolution, destruction
Interact with the community
Create something with the community rather than impose ideas on them
Evoke emotion and memory
Reverse dust’s negative impact
Installation should be impermanent
Use color to brighten the area

Children from Norfolk Court helped us decorate the playground.

http://www.youtube.com/watch?v=NVWxP-0aS6o

We presented the Cedric Price Project at Strathclyde University.

Monday, 13 September 2010

'Let's Knit Together': Performance

Performance as part of COMMON PLATFORM, Group Exhibiton, 21st May 2010, SWG3.

Props = Computer chair, yarn (twine), size 7.5 knitting needles, leather gloves.

Place computer chair 5-10 metres away from a pillar twine can be securely tied to. Tie twine to pillar and unravel to computer chair (leaving enough to cast on and begin comfortably) and cut. Cast on 10 stitches using end of twine, sit down on chair with feet off the floor, and start knitting. As knitting continues and becomes tenser and gradually more difficult, the piece of knitting gets larger, while the knitter and the chair get closer to the pillar (wall).

Monday, 3 May 2010

Images from book of collages

Monday, 26 April 2010

In Writing

Session #4: Stream of Consciousness & Interior Monologue

The second extract we read comes from later in the novel, and illustrates how one thought leads to another by a quick process of association. Stephen Dedalus watches two nuns/midwives walking on the beach. He recalls that one such midwife assisted at his own birth. He glimpses some knitting in her bag and imagines the strand of wool as a navel cord, and the knitting as a “misbirth” “hushed in ruddy wool”. The idea of a navel cord makes him think of the genetic links that connect all human beings, going back to our original “mother”, Eve. “Navel” reminds him of “navel gazing”, or meditation. His knowledge of Greek tells him the Greek word for navel, “omphalos” Somehow, the “cord” or cable, together with the idea of monks meditating in order to connect with God, gives Dedalus the hilarious idea of telephoning Eden: “Hello. Kinch here. Put me on to Edenville. Aleph, alpha: nought, nought, one.”